FLOOD
Floods are rapidly becoming a part of our currently reality. When cyclone Freddy hit Malawi in 2023 and I experienced the distress it caused, I started to track flooding across the globe. Water is a powerful substance with the capacity to transform a place unrecognisably. In the aftermath of its raging, settled water has the ability to dissolve sound. It is this quality of stillness after a catastrophe that I found most compelling about floods. For me these moments are steeped with beauty and with grief; with immense awe and the devastation of loss.
The paintings in this series are made with river clay that I collected in Worcester (South Africa) where my maternal ancestry farmed. It is a substance that I know intimately and that has much meaning for me. My choice of burnt plant material has a long history in my practice. It stems from my work with indigenous fynbos of the Cape which has to burn in order to propagate. Thus, like the phoenix rising from the ashes, burnt plant material represents hope and rebirth in my work.
TITLE
Malawi III
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 120 cm
Year
2023
Series
Flood
TITLE
Malawi II
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 180 cm
Year
2023
Series
Flood
TITLE
Malawi I
Medium
Burnt Plant material on canvas
Size
100 x 200 cm
Year
2023
Series
Flood
TITLE
Kimberley, Australia I
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 180 cm
Year
2023
Series
Flood
TITLE
Missisippi Delta I
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 60 cm
Year
2023
Series
Flood
TITLE
Missisippi Delta II
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 60 cm
Year
2023
Series
Flood
TITLE
Missisippi Delta III
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 60 cm
Year
2023
Series
Flood
TITLE
Kimberley, Australia II
Medium
River Clay and Burnt Plant material on canvas
Size
60 x 60 cm
Year
2023
Series
Flood
TITLE
Thessaly, Greece III
Medium
River Clay and Burnt Plant material on canvas
Size
85 x 115 cm
Year
2023
Series
Flood
TITLE
Huger, South Carolina
Medium
River Clay and Burnt Plant material on canvas
Size
80 x 100 cm
Year
2023
Series
Flood
TITLE
Thessaly, Greece I
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 120 cm
Year
2023
Series
Flood
TITLE
Thessaly, Greece II
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 120 cm
Year
2023
Series
Flood
TITLE
Malawi IV
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 40 cm
Year
2023
Series
Flood
TITLE
Malawi V
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 40 cm
Year
2023
Series
Flood
Raaswater
In 2014, I began working with river clay found on a smallholding where my maternal ancestors farmed with export grapes in the 1950s. My grandmother named the place Raaswater, an Afrikaans word describing the raging sound of the river that used to flow through the property. Today this river is polluted and runs dry in summer months. My question was could I together with the clay create a visual way to ‘re-sound’ the now silent river? This is a painting made with the river clay that answered that question. The story about this journey is in my blog.
TITLE
Raaswater (Panel I)
Medium
River Clay on board
Size
115 x 220 cm
Year
2014
Series
Spore
TSODILO HILLS
This is a very special piece created from materials collected at Tsodilo Hills, a sacred site in the North of Botswana that I visited in 2023. Tsodilo is considered one of the most powerful sites in Southern Africa. I obtained permission from one of the keepers of the site to collect materials and make this portrait of ‘Diwe dyo Durume’ or the Male Hill at Tsodilo. This hill forms part of a collection of hills at the site named the male, the female and the child.
TITLE
Diwe dyo Durume
Medium
Tsodilo Pigments on canvas
Size
150 x 220 cm
Year
2023
Series
Tsodilo Hills
spoorloos
The primary inspiration for this body of work originated in an artist’s residency in the vast, desolate Tankwa Karoo Desert which is located in the Western Cape of South Africa. This is a landscape covered in black stone, with very little vegetation, only a slight undulation in the typography and an experience of a vast expanse of space. The emptiness, the lack of reference points and the lack of containment forces one to face oneself on very deep levels.
Thus this body of work consists of various existential interpretations of my inner state and the sublime in landscape painting. Deserts are places of the element of air and so I worked with the place where earth and ‘heaven’ meets and with the Kármán Line: a place where the earth’s atmosphere becomes too thin for aeroplanes to achieve flight and where the rest of the universe begins. For more about this exhibition, visit my blog.
TITLE
Tankwa
Medium
River Clay, Cow Dung and Burnt Plant Material on Hemp
Size
110 x 165 cm
Year
2021
Series
Spoorloos
TITLE
Die Hart van Dagbreek
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Tankwa Dawn
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Stillness
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Lugspieeling
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Watergees
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Aarde
Medium
Ochre and Burnt Plant Material on Canvas
Size
100 x 100 cm
Year
2021
Series
Spoorloos
TITLE
Mochudi Botswana
Medium
Ant Hill Clay on Cotton
Size
77 x 133 cm
Year
2021
Series
Spoorloos
FLOOD
Floods are rapidly becoming a part of our currently reality. When cyclone Freddy hit Malawi in 2023 and I experienced the distress it caused, I started to track flooding across the globe. Water is a powerful substance with the capacity to transform a place unrecognisably. In the aftermath of its raging, settled water has the ability to dissolve sound. It is this quality of stillness after a catastrophe that I found most compelling about floods. For me these moments are steeped with beauty and with grief; with immense awe and the devastation of loss.
The paintings in this series are made with river clay that I collected in Worcester (South Africa) where my maternal ancestry farmed. It is a substance that I know intimately and that has much meaning for me. My choice of burnt plant material has a long history in my practice. It stems from my work with indigenous fynbos of the Cape which has to burn in order to propagate. Thus, like the phoenix rising from the ashes, burnt plant material represents hope and rebirth in my work.
TITLE
Malawi III
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 120 cm
Year
2023
Series
Flood
TITLE
Malawi II
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 180 cm
Year
2023
Series
Flood
TITLE
Malawi I
Medium
Burnt Plant material on canvas
Size
100 x 200 cm
Year
2023
Series
Flood
TITLE
Kimberley, Australia I
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 180 cm
Year
2023
Series
Flood
TITLE
Missisippi Delta I
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 60 cm
Year
2023
Series
Flood
TITLE
Missisippi Delta II
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 60 cm
Year
2023
Series
Flood
TITLE
Missisippi Delta III
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 60 cm
Year
2023
Series
Flood
TITLE
Kimberley, Australia II
Medium
River Clay and Burnt Plant material on canvas
Size
60 x 60 cm
Year
2023
Series
Flood
TITLE
Thessaly, Greece III
Medium
River Clay and Burnt Plant material on canvas
Size
85 x 115 cm
Year
2023
Series
Flood
TITLE
Huger, South Carolina
Medium
River Clay and Burnt Plant material on canvas
Size
80 x 100 cm
Year
2023
Series
Flood
TITLE
Thessaly, Greece I
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 120 cm
Year
2023
Series
Flood
TITLE
Thessaly, Greece II
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 120 cm
Year
2023
Series
Flood
TITLE
Malawi IV
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 40 cm
Year
2023
Series
Flood
TITLE
Malawi V
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 40 cm
Year
2023
Series
Flood
Raaswater
In 2014, I began working with river clay found on a smallholding where my maternal ancestors farmed with export grapes in the 1950s. My grandmother named the place Raaswater, an Afrikaans word describing the raging sound of the river that used to flow through the property. Today this river is polluted and runs dry in summer months. My question was could I together with the clay create a visual way to ‘re-sound’ the now silent river? This is a painting made with the river clay that answered that question. The story about this journey is in my blog.
TITLE
Raaswater (Panel I)
Medium
River Clay on board
Size
115 x 220 cm
Year
2014
Series
Spore
TSODILO HILLS
This is a very special piece created from materials collected at Tsodilo Hills, a sacred site in the North of Botswana that I visited in 2023. Tsodilo is considered one of the most powerful sites in Southern Africa. I obtained permission from one of the keepers of the site to collect materials and make this portrait of ‘Diwe dyo Durume’ or the Male Hill at Tsodilo. This hill forms part of a collection of hills at the site named the male, the female and the child.
TITLE
Diwe dyo Durume
Medium
Tsodilo Pigments on canvas
Size
150 x 220 cm
Year
2023
Series
Tsodilo Hills
spoorloos
The primary inspiration for this body of work originated in an artist’s residency in the vast, desolate Tankwa Karoo Desert which is located in the Western Cape of South Africa. This is a landscape covered in black stone, with very little vegetation, only a slight undulation in the typography and an experience of a vast expanse of space. The emptiness, the lack of reference points and the lack of containment forces one to face oneself on very deep levels.
Thus this body of work consists of various existential interpretations of my inner state and the sublime in landscape painting. Deserts are places of the element of air and so I worked with the place where earth and ‘heaven’ meets and with the Kármán Line: a place where the earth’s atmosphere becomes too thin for aeroplanes to achieve flight and where the rest of the universe begins. For more about this exhibition, visit my blog.
TITLE
Tankwa
Medium
River Clay, Cow Dung and Burnt Plant Material on Hemp
Size
110 x 165 cm
Year
2021
Series
Spoorloos
TITLE
Die Hart van Dagbreek
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Tankwa Dawn
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Stillness
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Lugspieeling
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Watergees
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Aarde
Medium
Ochre and Burnt Plant Material on Canvas
Size
100 x 100 cm
Year
2021
Series
Spoorloos
TITLE
Mochudi Botswana
Medium
Ant Hill Clay on Cotton
Size
77 x 133 cm
Year
2021
Series
Spoorloos
FLOOD
Floods are rapidly becoming a part of our currently reality. When cyclone Freddy hit Malawi in 2023 and I experienced the distress it caused, I started to track flooding across the globe. Water is a powerful substance with the capacity to transform a place unrecognisably. In the aftermath of its raging, settled water has the ability to dissolve sound. It is this quality of stillness after a catastrophe that I found most compelling about floods. For me these moments are steeped with beauty and with grief; with immense awe and the devastation of loss.
The paintings in this series are made with river clay that I collected in Worcester (South Africa) where my maternal ancestry farmed. It is a substance that I know intimately and that has much meaning for me. My choice of burnt plant material has a long history in my practice. It stems from my work with indigenous fynbos of the Cape which has to burn in order to propagate. Thus, like the phoenix rising from the ashes, burnt plant material represents hope and rebirth in my work.
TITLE
Malawi III
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 120 cm
Year
2023
Series
Flood
TITLE
Malawi II
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 180 cm
Year
2023
Series
Flood
TITLE
Malawi I
Medium
Burnt Plant material on canvas
Size
100 x 200 cm
Year
2023
Series
Flood
TITLE
Kimberley, Australia I
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 180 cm
Year
2023
Series
Flood
TITLE
Missisippi Delta I
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 60 cm
Year
2023
Series
Flood
TITLE
Missisippi Delta II
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 60 cm
Year
2023
Series
Flood
TITLE
Missisippi Delta III
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 60 cm
Year
2023
Series
Flood
TITLE
Kimberley, Australia II
Medium
River Clay and Burnt Plant material on canvas
Size
60 x 60 cm
Year
2023
Series
Flood
TITLE
Thessaly, Greece III
Medium
River Clay and Burnt Plant material on canvas
Size
85 x 115 cm
Year
2023
Series
Flood
TITLE
Huger, South Carolina
Medium
River Clay and Burnt Plant material on canvas
Size
80 x 100 cm
Year
2023
Series
Flood
TITLE
Thessaly, Greece I
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 120 cm
Year
2023
Series
Flood
TITLE
Thessaly, Greece II
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 120 cm
Year
2023
Series
Flood
TITLE
Malawi IV
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 40 cm
Year
2023
Series
Flood
TITLE
Malawi V
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 40 cm
Year
2023
Series
Flood
Raaswater
In 2014, I began working with river clay found on a smallholding where my maternal ancestors farmed with export grapes in the 1950s. My grandmother named the place Raaswater, an Afrikaans word describing the raging sound of the river that used to flow through the property. Today this river is polluted and runs dry in summer months. My question was could I together with the clay create a visual way to ‘re-sound’ the now silent river? This is a painting made with the river clay that answered that question. The story about this journey is in my blog.
TITLE
Raaswater (Panel I)
Medium
River Clay on board
Size
115 x 220 cm
Year
2014
Series
Spore
TSODILO HILLS
This is a very special piece created from materials collected at Tsodilo Hills, a sacred site in the North of Botswana that I visited in 2023. Tsodilo is considered one of the most powerful sites in Southern Africa. I obtained permission from one of the keepers of the site to collect materials and make this portrait of ‘Diwe dyo Durume’ or the Male Hill at Tsodilo. This hill forms part of a collection of hills at the site named the male, the female and the child.
TITLE
Diwe dyo Durume
Medium
Tsodilo Pigments on canvas
Size
150 x 220 cm
Year
2023
Series
Tsodilo Hills
spoorloos
The primary inspiration for this body of work originated in an artist’s residency in the vast, desolate Tankwa Karoo Desert which is located in the Western Cape of South Africa. This is a landscape covered in black stone, with very little vegetation, only a slight undulation in the typography and an experience of a vast expanse of space. The emptiness, the lack of reference points and the lack of containment forces one to face oneself on very deep levels.
Thus this body of work consists of various existential interpretations of my inner state and the sublime in landscape painting. Deserts are places of the element of air and so I worked with the place where earth and ‘heaven’ meets and with the Kármán Line: a place where the earth’s atmosphere becomes too thin for aeroplanes to achieve flight and where the rest of the universe begins. For more about this exhibition, visit my blog.
TITLE
Tankwa
Medium
River Clay, Cow Dung and Burnt Plant Material on Hemp
Size
110 x 165 cm
Year
2021
Series
Spoorloos
TITLE
Die Hart van Dagbreek
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Tankwa Dawn
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Stillness
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Lugspieeling
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Watergees
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos
TITLE
Aarde
Medium
Ochre and Burnt Plant Material on Canvas
Size
100 x 100 cm
Year
2021
Series
Spoorloos
TITLE
Mochudi Botswana
Medium
Ant Hill Clay on Cotton
Size
77 x 133 cm
Year
2021
Series
Spoorloos