FLOOD

Floods are rapidly becoming a part of our currently reality. When cyclone Freddy hit Malawi in 2023 and I experienced the distress it caused, I started to track flooding across the globe. Water is a powerful substance with the capacity to transform a place unrecognisably. In the aftermath of its raging, settled water has the ability to dissolve sound. It is this quality of stillness after a catastrophe that I found most compelling about floods. For me these moments are steeped with beauty and with grief; with immense awe and the devastation of loss.

The paintings in this series are made with river clay that I collected in Worcester (South Africa) where my maternal ancestry farmed. It is a substance that I know intimately and that has much meaning for me. My choice of burnt plant material has a long history in my practice. It stems from my work with indigenous fynbos of the Cape which has to burn in order to propagate. Thus, like the phoenix rising from the ashes, burnt plant material represents hope and rebirth in my work.

TITLE

Malawi III

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 120 cm

Year

2023

Series

Flood

TITLE

Malawi II

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 180 cm

Year

2023

Series

Flood

TITLE

Malawi I

Medium

Burnt Plant material on canvas

Size

100 x 200 cm

Year

2023

Series

Flood

TITLE

Kimberley, Australia I

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 180 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta I

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 60 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta II

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 60 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta III

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 60 cm

Year

2023

Series

Flood

TITLE

Kimberley, Australia II

Medium

River Clay and Burnt Plant material on canvas

Size

60 x 60 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece III

Medium

River Clay and Burnt Plant material on canvas

Size

85 x 115 cm

Year

2023

Series

Flood

TITLE

Huger, South Carolina

Medium

River Clay and Burnt Plant material on canvas

Size

80 x 100 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece I

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 120 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece II

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 120 cm

Year

2023

Series

Flood

TITLE

Malawi IV

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 40 cm

Year

2023

Series

Flood

TITLE

Malawi V

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 40 cm

Year

2023

Series

Flood

Raaswater

In 2014, I began working with river clay found on a smallholding where my maternal ancestors farmed with export grapes in the 1950s. My grandmother named the place Raaswater, an Afrikaans word describing the raging sound of the river that used to flow through the property. Today this river is polluted and runs dry in summer months. My question was could I together with the clay create a visual way to ‘re-sound’ the now silent river? This is a painting made with the river clay that answered that question. The story about this journey is in my blog.

TITLE

Raaswater (Panel I)

Medium

River Clay on board

Size

115 x 220 cm

Year

2014

Series

Spore

TSODILO HILLS

This is a very special piece created from materials collected at Tsodilo Hills, a sacred site in the North of Botswana that I visited in 2023. Tsodilo is considered one of the most powerful sites in Southern Africa. I obtained permission from one of the keepers of the site to collect materials and make this portrait of ‘Diwe dyo Durume’ or the Male Hill at Tsodilo. This hill forms part of a collection of hills at the site named the male, the female and the child.

TITLE

Diwe dyo Durume

Medium

Tsodilo Pigments on canvas

Size

150 x 220 cm

Year

2023

Series

Tsodilo Hills

spoorloos

The primary inspiration for this body of work originated in an artist’s residency in the vast, desolate Tankwa Karoo Desert which is located in the Western Cape of South Africa. This is a landscape covered in black stone, with very little vegetation, only a slight undulation in the typography and an experience of a vast expanse of space. The emptiness, the lack of reference points and the lack of containment forces one to face oneself on very deep levels.  

Thus this body of work consists of various existential interpretations of my inner state and the sublime in landscape painting. Deserts are places of the element of air and so I worked with the place where earth and ‘heaven’ meets and with the Kármán Line: a place where the earth’s atmosphere becomes too thin for aeroplanes to achieve flight and where the rest of the universe begins. For more about this exhibition, visit my blog.

TITLE

Tankwa

Medium

River Clay, Cow Dung and Burnt Plant Material on Hemp

Size

110 x 165 cm

Year

2021

Series

Spoorloos

TITLE

Die Hart van Dagbreek

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Tankwa Dawn

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Stillness

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Lugspieeling

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Watergees

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Aarde

Medium

Ochre and Burnt Plant Material on Canvas

Size

100 x 100 cm

Year

2021

Series

Spoorloos

TITLE

Mochudi Botswana

Medium

Ant Hill Clay on Cotton

Size

77 x 133 cm

Year

2021

Series

Spoorloos

FLOOD

Floods are rapidly becoming a part of our currently reality. When cyclone Freddy hit Malawi in 2023 and I experienced the distress it caused, I started to track flooding across the globe. Water is a powerful substance with the capacity to transform a place unrecognisably. In the aftermath of its raging, settled water has the ability to dissolve sound. It is this quality of stillness after a catastrophe that I found most compelling about floods. For me these moments are steeped with beauty and with grief; with immense awe and the devastation of loss.

The paintings in this series are made with river clay that I collected in Worcester (South Africa) where my maternal ancestry farmed. It is a substance that I know intimately and that has much meaning for me. My choice of burnt plant material has a long history in my practice. It stems from my work with indigenous fynbos of the Cape which has to burn in order to propagate. Thus, like the phoenix rising from the ashes, burnt plant material represents hope and rebirth in my work.

TITLE

Malawi III

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 120 cm

Year

2023

Series

Flood

TITLE

Malawi II

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 180 cm

Year

2023

Series

Flood

TITLE

Malawi I

Medium

Burnt Plant material on canvas

Size

100 x 200 cm

Year

2023

Series

Flood

TITLE

Kimberley, Australia I

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 180 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta I

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 60 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta II

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 60 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta III

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 60 cm

Year

2023

Series

Flood

TITLE

Kimberley, Australia II

Medium

River Clay and Burnt Plant material on canvas

Size

60 x 60 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece III

Medium

River Clay and Burnt Plant material on canvas

Size

85 x 115 cm

Year

2023

Series

Flood

TITLE

Huger, South Carolina

Medium

River Clay and Burnt Plant material on canvas

Size

80 x 100 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece I

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 120 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece II

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 120 cm

Year

2023

Series

Flood

TITLE

Malawi IV

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 40 cm

Year

2023

Series

Flood

TITLE

Malawi V

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 40 cm

Year

2023

Series

Flood

Raaswater

In 2014, I began working with river clay found on a smallholding where my maternal ancestors farmed with export grapes in the 1950s. My grandmother named the place Raaswater, an Afrikaans word describing the raging sound of the river that used to flow through the property. Today this river is polluted and runs dry in summer months. My question was could I together with the clay create a visual way to ‘re-sound’ the now silent river? This is a painting made with the river clay that answered that question. The story about this journey is in my blog.

TITLE

Raaswater (Panel I)

Medium

River Clay on board

Size

115 x 220 cm

Year

2014

Series

Spore

TSODILO HILLS

This is a very special piece created from materials collected at Tsodilo Hills, a sacred site in the North of Botswana that I visited in 2023. Tsodilo is considered one of the most powerful sites in Southern Africa. I obtained permission from one of the keepers of the site to collect materials and make this portrait of ‘Diwe dyo Durume’ or the Male Hill at Tsodilo. This hill forms part of a collection of hills at the site named the male, the female and the child.

TITLE

Diwe dyo Durume

Medium

Tsodilo Pigments on canvas

Size

150 x 220 cm

Year

2023

Series

Tsodilo Hills

spoorloos

The primary inspiration for this body of work originated in an artist’s residency in the vast, desolate Tankwa Karoo Desert which is located in the Western Cape of South Africa. This is a landscape covered in black stone, with very little vegetation, only a slight undulation in the typography and an experience of a vast expanse of space. The emptiness, the lack of reference points and the lack of containment forces one to face oneself on very deep levels.  

Thus this body of work consists of various existential interpretations of my inner state and the sublime in landscape painting. Deserts are places of the element of air and so I worked with the place where earth and ‘heaven’ meets and with the Kármán Line: a place where the earth’s atmosphere becomes too thin for aeroplanes to achieve flight and where the rest of the universe begins. For more about this exhibition, visit my blog.

TITLE

Tankwa

Medium

River Clay, Cow Dung and Burnt Plant Material on Hemp

Size

110 x 165 cm

Year

2021

Series

Spoorloos

TITLE

Die Hart van Dagbreek

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Tankwa Dawn

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Stillness

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Lugspieeling

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Watergees

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Aarde

Medium

Ochre and Burnt Plant Material on Canvas

Size

100 x 100 cm

Year

2021

Series

Spoorloos

TITLE

Mochudi Botswana

Medium

Ant Hill Clay on Cotton

Size

77 x 133 cm

Year

2021

Series

Spoorloos

FLOOD

Floods are rapidly becoming a part of our currently reality. When cyclone Freddy hit Malawi in 2023 and I experienced the distress it caused, I started to track flooding across the globe. Water is a powerful substance with the capacity to transform a place unrecognisably. In the aftermath of its raging, settled water has the ability to dissolve sound. It is this quality of stillness after a catastrophe that I found most compelling about floods. For me these moments are steeped with beauty and with grief; with immense awe and the devastation of loss.

The paintings in this series are made with river clay that I collected in Worcester (South Africa) where my maternal ancestry farmed. It is a substance that I know intimately and that has much meaning for me. My choice of burnt plant material has a long history in my practice. It stems from my work with indigenous fynbos of the Cape which has to burn in order to propagate. Thus, like the phoenix rising from the ashes, burnt plant material represents hope and rebirth in my work.

TITLE

Malawi III

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 120 cm

Year

2023

Series

Flood

TITLE

Malawi II

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 180 cm

Year

2023

Series

Flood

TITLE

Malawi I

Medium

Burnt Plant material on canvas

Size

100 x 200 cm

Year

2023

Series

Flood

TITLE

Kimberley, Australia I

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 180 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta I

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 60 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta II

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 60 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta III

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 60 cm

Year

2023

Series

Flood

TITLE

Kimberley, Australia II

Medium

River Clay and Burnt Plant material on canvas

Size

60 x 60 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece III

Medium

River Clay and Burnt Plant material on canvas

Size

85 x 115 cm

Year

2023

Series

Flood

TITLE

Huger, South Carolina

Medium

River Clay and Burnt Plant material on canvas

Size

80 x 100 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece I

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 120 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece II

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 120 cm

Year

2023

Series

Flood

TITLE

Malawi IV

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 40 cm

Year

2023

Series

Flood

TITLE

Malawi V

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 40 cm

Year

2023

Series

Flood

Raaswater

In 2014, I began working with river clay found on a smallholding where my maternal ancestors farmed with export grapes in the 1950s. My grandmother named the place Raaswater, an Afrikaans word describing the raging sound of the river that used to flow through the property. Today this river is polluted and runs dry in summer months. My question was could I together with the clay create a visual way to ‘re-sound’ the now silent river? This is a painting made with the river clay that answered that question. The story about this journey is in my blog.

TITLE

Raaswater (Panel I)

Medium

River Clay on board

Size

115 x 220 cm

Year

2014

Series

Spore

TSODILO HILLS

This is a very special piece created from materials collected at Tsodilo Hills, a sacred site in the North of Botswana that I visited in 2023. Tsodilo is considered one of the most powerful sites in Southern Africa. I obtained permission from one of the keepers of the site to collect materials and make this portrait of ‘Diwe dyo Durume’ or the Male Hill at Tsodilo. This hill forms part of a collection of hills at the site named the male, the female and the child.

TITLE

Diwe dyo Durume

Medium

Tsodilo Pigments on canvas

Size

150 x 220 cm

Year

2023

Series

Tsodilo Hills

spoorloos

The primary inspiration for this body of work originated in an artist’s residency in the vast, desolate Tankwa Karoo Desert which is located in the Western Cape of South Africa. This is a landscape covered in black stone, with very little vegetation, only a slight undulation in the typography and an experience of a vast expanse of space. The emptiness, the lack of reference points and the lack of containment forces one to face oneself on very deep levels.  

Thus this body of work consists of various existential interpretations of my inner state and the sublime in landscape painting. Deserts are places of the element of air and so I worked with the place where earth and ‘heaven’ meets and with the Kármán Line: a place where the earth’s atmosphere becomes too thin for aeroplanes to achieve flight and where the rest of the universe begins. For more about this exhibition, visit my blog.

TITLE

Tankwa

Medium

River Clay, Cow Dung and Burnt Plant Material on Hemp

Size

110 x 165 cm

Year

2021

Series

Spoorloos

TITLE

Die Hart van Dagbreek

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Tankwa Dawn

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Stillness

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Lugspieeling

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Watergees

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Aarde

Medium

Ochre and Burnt Plant Material on Canvas

Size

100 x 100 cm

Year

2021

Series

Spoorloos

TITLE

Mochudi Botswana

Medium

Ant Hill Clay on Cotton

Size

77 x 133 cm

Year

2021

Series

Spoorloos